Auschar Chauncy, England/Australia b.c.1836-1877 / Portrait of Richard Edwards 1874

We all call Queensland home

By telling the story of Australian Art, we can observe the changing nature of portraiture — the shift from democratic modes such as the nineteenth-century photograph, to oil paintings produced after a number of sittings and preparatory sketches. These portraits tell stories of contact between cultures, including colonial and immigrant experiences. Many of these stories connect…

Inferno

Cult horror classics

Nearly all of the films being screened during ‘Gothic, Giallo, Gore: Masters of Italian Horror’ have arrived on 35mm prints shipped over from Italy and America. To present this collection of cult horror classics The Australian Cinémathèque, GOMA reached out to national archives, private collections, and key individuals across the globe in order to more…

Blind Cinema

Sit blindfolded as a child describes a film in hushed tones

In the darkness of a cinema, the adult audience sits blindfolded, behind sits a child who describes in hushed tones a film they are seeing for the very first time. Accompanied by a soundtrack (which has no dialogue), the whispered descriptions are an attempt by the children to make sense of what they see projected…

Design Tracks

Design Tracks: Creative pathways

What happens when a bunch of developing artistically talented and deadly Indigenous teens come together for Design Tracks Creative Pathways to work through creative challenges in the company of an amazing line up of Indigenous mentors, educators, designers and artists? They nail it! Creative Pathways Program Residential Camp Together, through the Design Tracks Creative Pathways Program…