Investing in the development of QAGOMA’s Collection

Now in its third year, QAGOMA’s youngest supporter group, the Future Collective are putting their combined might behind Australian artists and investing in the development of the Gallery’s Collection. The group met at GOMA last month to discuss all things commissioning and hear from the artist they voted to commission two new works by in…

2016: GOMA turns 10 countdown

GOMA. A place where people come together to be inspired and imaginations spark. A place where ideas meet. This summer will be packed with even more excitement as GOMA turns 10. So come along and help us celebrate. GOMA Turns 10 this weekend and we’re celebrating. Enjoy a range of programs, special events and related exhibitions —…

Benjamin Law shares his story of growing up with GOMA

Hear what GOMA means to Benjamin Law, GOMA 10 Ambassador. Benjamin sits in GOMA’s official ‘GOMA turns 10′ Ambassador chair, the QTZ limited edition GOLD by designer Alex Lotersztain Benjamin Law is a Queensland-born, Sydney-based journalist, columnist and screenwriter best known for his two books The Family Law (2010) and Gaysia: Adventures in the Queer East (2012). A television adaptation…

From the Director: Spring update

The Gallery has seen some intense activity since APT8 closed: we’ve opened no less than four important exhibitions in as many weeks over May and June. The vibrant palette of the late Mirdidingkingathi Juwarnda Sally Gabori’s Dulka Warngiid – Land of All exhibition, which has filled the Queensland Art Gallery (QAG) with the spirit of north…

Sally Gabori’s Mirdidingki: My Country

In Mirdidingkingathi Juwarnda Sally Gabori’s paintings places and people are inseparable, stemming from the Kaiadilt tradition of naming people through association with the place and totem one was born into. By adding the Kaiadilt suffix ~ngathi (meaning ‘born at’) to a person’s birthplace, a name is created. Sally Gabori, born by the small creek at…

Asim Waqif: ‘All we leave behind are the memories’

Through his art practice, Asim Waqif explores the reuse of recycled materials that are often discarded by the ‘development’ of the city into a public space. It is this throwaway society that is represented in his perspective and also in his APT8 installation, All we leave behind are the memories 2015, a sprawling timber installation across…