Dale Harding working on his commission onsite at the Queensland Art Gallery

Dale Harding discusses his incredible year

Dale Harding graduated from the Queensland College of Art in 2014, yet his opportunities and achievements since speak to a much longer practice, indeed a ‘cultural continuum’ to which he is connected through country. His artwork includes wall murals, sculpture and installations which are an exploration of the political histories and presence of his family…

Conrad Martens, England/Australia 1801-1878 / Forest, Cunningham's Gap 1856 / Watercolour on paper / Purchased 1998 with funds raised through The Conrad Martens Queensland Art Gallery Foundation Appeal and with the assistance of the Queensland Government's special Centenary Fund / Collection: Queensland Art Gallery

We consider depictions of the land

Telling the Story of Australian Art Highlighted in our third post on your Australian Art Collection reimagined are works which are included in the chronological ‘spine’ along the back wall of the Josephine Ulrick and Win Schubert Galleries. Adjacent to Dale Harding’s wall commission view works from both the European landscape tradition and representations of country by…

The story of tow row

The story of Judy Watson’s tow row transcends its physical form and speaks of cultural retrieval and community activation. This stunning work, generously funded by the Queensland Government, the Neilson Foundation, Cathryn Mittelheuser, AM, and others, is a fitting acknowledgment of the ancestor spirit of Kurilpa. Public art has the power to change the cultural landscape…

Investing in the development of QAGOMA’s Collection

Now in its third year, QAGOMA’s youngest supporter group, the Future Collective are putting their combined might behind Australian artists and investing in the development of the Gallery’s Collection. The group met at GOMA last month to discuss all things commissioning and hear from the artist they voted to commission two new works by in…

Judy Watson introduces tow row

Judy Watson’s work is deeply connected to concealed histories, the significance of objects and the power of memory and loss. In tow row, Watson has responded to a site close to the Brisbane River by referencing woven nets used by Aboriginal people of the area, acknowledging the traditional owners of the site and their everyday fishing activities…

GOMA turns ten

GOMA turns ten this weekend and everyone is invited to join in the celebrations. The special milestone includes the unveiling of a major new public artwork by Queensland Indigenous artist Judy Watson, the opening of the exhibition ‘Sugar Spin: you, me, art and everything‘, live performances of American artist Nick Cave’s vibrant HEARD 2012, hands-on workshops,…