Thea Proctor’s woodcut reminds us of life’s simple pleasures

Thea Proctor’s vibrant hand-coloured woodcut Summer, inspired by the tradition of Japanese ukiyo-e prints, brings me joy because it reminds me of life’s simple pleasures (ikigai).  In 1921, having spent much of the past two decades in London, Thea Proctor returned to Australia and settled in Sydney where she became an influential artist and a…

Flamboyance that was distinctly modern

Though not a painting of a named sitter, George Washington Lambert’s Portrait group (The mother) 1907 (illustrated) nevertheless belongs to that category of art — Edwardian salon portraiture — which flourished in England in the first decade of the twentieth century. These were works especially characterised by flamboyance and bravura, where old master techniques were combined with…