Judy Watson: Collecting Australia

The Indigenous voice of Australia is over 65 000 years old. During NAIDOC Week 2019, with the theme of ‘voice, treaty and truth’, we invited award-winning author and Mununjali woman Ellen Van Neerven to develop a series of written responses entitled ‘Collecting Australia‘, which draw inspiration from works featured in our Australian Art Collection. This…

Beacons of hope: 5 indigenous voices

‘The 9th Asia Pacific Triennial of Contemporary Art’ (APT9) featured a diversity of indigenous voices — the largest contingent in the Triennial’s history — who share a common experience of dislocation through European settler occupation. Brisbane-based Indigenous artist Ryan Presley looks at how the practices of five of these artists engage with the legacy of…

Jonathan Jones ‘untitled (giran)’ is a murmuration of winged sculptures

‘Murun’ — a Wiradjuri word meaning breath or life — and the English word ‘murmur’ — a low recurring sound, or soft voices — are two words born far from each other, one long of this land, one newly spoken here. They converge in this project by artist Jonathan Jones, the most recent in a…

Judy Watson, Waanyi people, Australia b.1959 / sacred ground beating heart 1989

Judy Watson: Pulse of the earth

Judy Watson’s work including drawing, printmaking, painting and sculpture all reference an Indigenous connection to land and history. Her canvases are not paintings in the classical traditions of European art, they remain unstretched when exhibited, usually pinned to the wall as is sacred ground beating heart (illustrated). One of Watson’s bronze sculptures — tow row (illustrated)…

Dibirdibi Country

Aboriginal artist Sally Gabori (c.1924–2015) is one of the most important Australian painters and her work Dibirdibi Country 2012 is among the best of her works. Here, we touch on some of the history behind the artist and her radiant painting. Mirdidingkingathi Juwarnda Sally Gabori was born around 1924 on the south side of Bentinck…

The story of Judy Watson’s ‘tow row’

The story of Judy Watson’s tow row transcends its physical form and speaks of cultural retrieval and community activation. This stunning work, generously funded by the Queensland Government, the Neilson Foundation, Cathryn Mittelheuser AM and others, is a fitting acknowledgment of the ancestor spirit of Kurilpa. Public art has the power to change the cultural…