Let’s make some noise with John Patterson from The Grates

 

Go on a musical journey through ‘The 9th Asia Pacific Triennial of Contemporary Art’ (APT9) with our ‘Let’s Make Noise’ tours. Led by pied-piper John Patterson from iconic Brisbane band The Grates, the special tour encourages you to do something that doesn’t come very naturally in a gallery setting – make as much noise as possible. An outing definitely for the whole family.

Throughout the tour kids and adults alike are invited to discover more about four artists in the exhibition and respond with a sound inspired by the artwork. Stomp your way through the Gallery of Modern Art (GOMA), and from one artwork to the next make sound noise and be creative.

‘Let’s Make Noise’ is part of Curiocity Brisbane, a citywide event celebrating imagination, interaction and innovation from 15 March to 3 April 2019.

Join our ‘Let’s Make Noise’ tours Sat 30 Mar at either 3, 4 or 5pm. Free

Listen to John Patterson’s collective song

Here’s some inspiration… on a previous ‘Let’s make noise’ tour, each of the sounds created along the way were recorded by John Patterson and have been turned in a collective song, which you can now listen to.

SUBSCRIBE to QAGOMA YouTube to go behind-the-scenes at events and exhibitions / John Patterson from Brisbane band The Grates

Get blown away by a powerful whoosh

SUBSCRIBE to QAGOMA YouTube to go behind-the-scenes at events and exhibitions / Jonathan Jones, Wiradjuri/Kamilaroi peoples, Australia b.1978, with Dr Uncle Stan Grant Snr AM, Wiradjuri people, Australia b.1940 / (untitled) giran (detail) 2018 / Bindu-gaany (freshwater mussel shell), gabudha (rush), gawurra (feathers), marrung dinawan (emu egg), walung (stone), wambuwung dhabal (kangaroo bone), wayu (string), wiiny (wood), 48-channel soundscape / Sound design: Luke Mynott, Sonar Sound / © The artists / Photograh: Natasha Harth © QAGOMA / This project has been assisted by the Australian Government through the Australia Council, its arts funding and advisory body; the NSW Government through Create NSW; and the Copyright Agency Cultural Fund. This project has also been supported by Carriageworks through the Solid Ground program

What do crashing waves sound like?

Roberto Chabet, The Philippines 1937–2013 / Waves 1975 / Plywood and synthetic polymer paint / 21 hanging panels: 35 x 122cm (each, approx.) / 12 floor panels: 120 x 240 x 2cm (each) / Courtesy: MO_Space, the Philippines / © King Kong Art Projects Unlimited/Estate of Roberto Chabet

What’s that we hear… a collective buzz

SUBSCRIBE to QAGOMA YouTube to go behind-the-scenes at events and exhibitions / Anne Noble, Aotearoa New Zealand b.1954 / Conversatio: A cabinet of wonder 2018, installed at APT9, GOMA / Photographs, wooden cabinet, metal, glass, sound, scent, patterned perspex, colony of bees / 190 x 70 x 170cm / © Anne Noble / Courtesy: Anne Noble and Two Rooms, Auckland: Bartley + Company Art, Wellington and Jonathan Smart Gallery, Christchurch / Supported by: Bee One Third, JackStone, Brisbane and Creative New Zealand

See if you can find the queen bee in Anne Noble’s bee colony when you visit. The cabinet is opened daily for 20 minutes at 11.45am, 12.45pm, 2.45pm and 3.45pm.

Ah, the pitter patter of rain drops

Yuko Mohri, Japan b.1980 / Breath or echo (detail) 2017 / Modified pianos, street light, light bulbs, wood, electric motor, paper, iron, ceramic insulators, concrete, cables and magnets  / Installed in ‘The 9th Asia Pacific Triennial of Contemporary Art’ (APT9), Gallery of Modern Art / Purchased with funds from Tim Fairfax AC through the Queensland Art Gallery | Gallery of Modern Art Foundation 2018 / Collection: Queensland Art Gallery | Gallery of Modern Art / © Yuko Mohri

Subscribe to QAGOMA YouTube and go behind-the-scenes of events and exhibitions /  Watch APT9 videos or Read about artists in APT9

Buy the APT9 publication

APT9 has been assisted by our Founding Supporter Queensland Government and Principal Partner the Australian Government through the Australia Council, its arts funding and advisory body, and the Visual Arts and Craft Strategy, an initiative of the Australian, State and Territory Governments.

Anne Noble has been supported by Creative New Zealand.
Yuko Mohri has been supported by the Ishibashi Foundation, Japan Foundation and the Australia -Japan Foundation

Michaela-Sophie Chin is A/Public Programs Coordinator, Public Engagement, QAGOMA

Feature image: John Patterson at GOMA 

#JohnPatterson #TheGrates #APT9 #QAGOMA 

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