Published in conjunction with APT9, Ali’s Boat brings the powerful and imaginative drawings of Sadik Kwaish Alfraji to a new audience. The children’s book is a poetic story full of dreams and adventure, but also tempered by melancholy. Inspired by a special letter from his young nephew, Ali, the story is also a deeply personal reflection on the artist’s…
Few works in our Collection have enjoyed as much popularity as R. (Richard) Godfrey Rivers’s Under the jacaranda. Painted in 1903, some twelve years after the British-born Rivers arrived in Queensland, the image depicts Rivers and his wife Selina sitting in the shade of a large jacaranda tree, at that time a landmark in Brisbane’s Botanic…
Continue reading » “Clouds of purple blossoms, a quintessential image of Brisbane”
The Asia Pacific, a region of incredible beauty and diversity, is grappling with the looming challenges of climate change and environmental degradation in the face of economic and political inertia. It is often artists who fire our imagination on these issues, urging us to consider our relationship with the natural world, the ethics of our…
Aisha Khalid is one of a generation of artists from Pakistan who have transformed the tradition of miniature painting into an internationally celebrated form of contemporary art. In recent years, Khalid’s practice has extended to significantly larger paintings, murals, installations and tapestries. In her textile works, Khalid draws on a form of visual language embedded in…
Continue reading » “Aisha Khalid transforms traditional miniature painting with pins”
Papua New Guinean artist Simon Gende was born in Gere in the Gembogl district of Chimbu province and is from the Kuman language group. Inspired by fellow Chimbu artist, the late Mathias Kauage, he began painting in 1989 and is now one of Papua New Guinea’s most respected artists. Gende is known for his paintings…
Continue reading » “Simon Gende’s paintings are a humorous commentary on society”
Set along the Brisbane River, the dual projections of The Precinct 2018 in ‘The 9th Asia Pacific Triennial of Contemporary Art’ (APT9) continue Gavin Hipkins’s blurring of documentary and experimental narrative film structures. The double perspectives draw on and quote from the first published novel set in Brisbane, The Curse and its Cure (1894) by…
Continue reading » “Gavin Hipkins references a past that haunts the future”