Watercolours feature in the earliest records of European exploration and settlement of Australia. Its continuous presence in the history of Queensland art has changed and evolved with shifts in culture, as well as with the demands and innovations of its practitioners. We look at the medium’s important role in enriching Queensland’s visual history. Together with…
Continue reading » “Documenting Queensland’s history through watercolour”
Vernon Ah Kee is a Brisbane-based Aboriginal contemporary artist who has risen to the forefront of urban-based conceptual art practice. Ah Kee was born in Innisfail, North Queensland and his triptych neither pride nor courage 2006 (illustrated) is part of a series of large-scale hand-drawn family portraits. On two of the three panels, Ah Kee…
Of all the works by (Frances) Vida Lahey (1882-1968), she is best known for her depiction of the weekly wash-day, Monday morning 1912 (illustrated). Known as a painter of oils on a wide range of subjects, she was also recognised throughout her career as a watercolourist of distinction for floral still lifes, therefore we have…
Continue reading » “Vida Lahey: Known for her distinctive flower studies”
On the occasion of World Sleep Day we take the opportunity to highlight this major work by Lewis Jarvis (LJ) Harvey — carved from Silky Oak with inset panels in Queensland Beech — the Bed of Peace was made for Elsie Harvey [Noble] (1898-1986), the eldest of Harvey’s four children in 1919. It is probably…
Continue reading » “O soothest Sleep comes easy in LJ Harvey’s ‘Bed of Peace’”
Public collections in Queensland have few outstanding examples of the work of our early artists. Of the major works dating from the 19th century, the Panorama of Brisbane 1880 by JA (Joseph Augustine) Clarke (1840–90), Queensland‘s first professional artist and art teacher, is undoubtedly the best known and most significant.1 Visit the nearly 4–metre–long panorama…
With great sadness, we acknowledge the recent passing of Kumantje (Michael Nelson) Jagamara AM (b.c.1946-2020). One of the foremost champions of the Western Desert painting movement, Kumantje was a dynamic innovator of Papunya’s second wave of painters, known for creating evocative newforms to portray his ancestral inheritance, He was also a deeply respected Warlpiri/Luritja Elder…
We acknowledge the Traditional Owners of the land on which the Queensland Art Gallery | Gallery of Modern Art stands and recognise the creative contribution First Australians make to the art and culture of this country.