Philippines-based artist Lee Paje’s two oil on copper works — a triptych The stories that weren’t told 2019 and Somewhere, someday when we are the sea 2021, a suspended 12-panel polyptych — were commissioned for ‘The 10th Asia Pacific Triennial of Contemporary Art’ (APT10). ARTWORK STORIES: Delve into QAGOMA’s Collection highlights for a rich exploration of…
In collaboration with ‘The 10th Asia Pacific Triennial of Contemporary Art’ (APT10) artist Shannon Novak, and QAGOMA launched Dear Queensland — a project that gathers, documents and archives some of the important stories of LGBTQI+ people in Queensland. As Novak explains, ‘currently there is very little to no local LGBTQI+ history being recorded in our public…
Uncovered from the treasure trove of QAGOMA Research Library’s Asia Pacific Triennial (APT) Archive, we highlight a selection of ‘Exquisite Corpse’ drawings from the APT1 artists’ retreat. ‘The First Asia Pacific Triennial of Contemporary Art’ (APT1) opened on 18 September 1993 with the aim of facilitating opportunities for cultural exchange across the Asia Pacific region.…
Suspended over the Queensland Art Gallery Watermall, installation is underway during ‘The 10th Asia Pacific Triennial of Contemporary Art’ (APT10) for one of the most ambitious contemporary works to emerge from Bangladesh — a collaborative installation by Kamruzzaman Shadhin and the Gidree Bawlee Foundation of Arts, made possible by Metamorphic Foundation. Over more than 20 years,…
Continue reading » “Watermall installation underway for contemporary work from Bangladesh “
For artists and arts workers, meaningful community engagement requires a long-term commitment to learning, write ACE Project team members Moale James and Osanna Fa’ata’ape, who here explore the ‘The 10th Asia Pacific Triennial of Contemporary Art (APT10) project’s aims through a reflective case study and poem. For the Australian Centre of Asia Pacific Art (ACAPA)1…
Amy Lien and Enzo Camacho have been collaborating for more than 12 years, their shared practice is oriented around intensive first-hand research into the impact of globalism, capital and development on specific small-scale communities. Since 2018, they have made a number of works based on the sugar plantations on the island of Negros in the…
Continue reading » “Interrelated works delve into the insurgent potential of art”
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