Autumn breezes fortified for an abundance of winters to come

QAGOMA conservators collaborated with specialist East Asian Art Conservator Jennifer Loubser to assess the conservation repairs necessary to stabilise an unusual 8-panel Japanese folding screen, Scenes from Genji Monogatari to allow its safe handling and display – in assessing the condition of the work when it came into the Collection it was found that hundreds…

Albert Namatjira, an Australian identity

William Dargie’s iconic image of Albert Namatjira has become the most identifiable image of the artist, and Ben Quilty and Vincent Namatjira have each been inspired to incorporate this original into their versions. Ben Quilty’s painting Albert 2004 features two identifiable Australian identities placed together, Namatjira, the pioneer of contemporary Indigenous Australian art, and the…

Vale: Gordon Shepherdson

QAGOMA pays tribute to Brisbane painter Gordon Shepherdson (1934–2019) who passed away in July – an enduring presence in the local art community over many decades, Shepherdson was known for his unique approach to expressionist figuration. People, flowers, animals, the night sky and his favourite fishing spots – he painted them from memory with both…

A place where eyes once averted

Two remarkable paintings by Australian artist Anne Wallace draw attention to a dark chapter in Brisbane’s history. With compassion and respect, these works tell the stories of women who suffered institutional abuse at Goodna’s Wolston Park psychiatric facility, and Wallace focuses on their hard-won resilience while demanding that we not look away. Anne Wallace Contemporary…

Judy Watson: Collecting Australia

The Indigenous voice of Australia is over 65 000 years old. During NAIDOC Week 2019, with the theme of ‘voice, treaty and truth’, we invited award-winning author and Mununjali woman Ellen Van Neerven to develop a series of written responses entitled ‘Collecting Australia‘, which draw inspiration from works featured in our Australian Art Collection. This…