Judy Watson’s work is deeply connected to concealed histories, the significance of objects and the power of memory and loss. In tow row, Watson has responded to a site close to the Brisbane River by referencing woven nets used by Aboriginal people of the area, acknowledging the traditional owners of the site and their everyday fishing activities…
Céleste Boursier-Mougenot’s installations combine the technical with the aesthetic and sensorial; the artist refers to them as functioning like a ‘dispositif’ rather than an installation. The term, loosely translated as device or structure, foregrounds the potential to engage viewers in both the operational and aesthetic components of a work. From here to ear (v. 13)…
Ingmar Bergman is one of the true luminaries of post-war European cinema. In a career lasting more than half a century, he crafted films with a passion and potency matched by few other directors. His films are known for their explication of deep religious concerns, their heartfelt understanding of the intricacies of human relationships, and…
Continue reading » “Through a Glass, Darkly: The Films of Ingmar Bergman”
Humans have a complex relationship with mealtimes; the dining rituals, quirky food hang ups and memories forged in childhood of that one recipe your Grandmother made. Food and art have long been closely connected to pleasure via the senses and often the lines are blurred between the two. Enjoy a meal at any fine dining…
When the Queensland Art Gallery opened in a new building at South Brisbane in 1982, the contrast with the first art gallery established in Queensland could not have been more marked. The Queensland National Art Gallery was established in 1895, occupying a room on the first floor in the Brisbane Town Hall.1 It was truly…
Continue reading » “Galvanised into action: The transformation of the Queensland Art Gallery”
Ikebana is the art of arranging flowers and other natural materials in accordance with particular aesthetic principles. The art originated in Japan many centuries ago. Early in the twentieth century, Ikebana master Sofu Teshigahara considered that ikebana should be enjoyable and creative, yet maintain its links to the old traditions. So, in 1927, he founded…
We acknowledge the Traditional Owners of the land on which the Queensland Art Gallery | Gallery of Modern Art stands and recognise the creative contribution First Australians make to the art and culture of this country.