Passage to Belle-Île: A motif for John Russell’s paintings

John Russell, like his contemporaries Claude Monet and Henri Matisse, were particularly captivated and inspired by the small island of Belle-Île, with its vivid turquoise waters, steep cliffs and craggy rock formations. Roger Benjamin visited France’s wild Atlantic coast to explore the island’s resonance as a motif in French painting. In June 2018, before the…

Conserving Japanese folding screens

‘A fleeting bloom: Japanese Art from the Collection’ is the debut exhibition for a number of historical folding screens that entered the Collection as part of the James Fairfax AC Bequest. The Curatorial team for Asian art worked closely with Conservation staff on this project and Emily Wakeling recently met behind-the-scenes with Kim Barrett, Conservator,…

Judy Watson, Waanyi people, Australia b.1959 / sacred ground beating heart 1989

Judy Watson: Pulse of the earth

Judy Watson’s work including drawing, printmaking, painting and sculpture all reference an Indigenous connection to land and history. Her canvases are not paintings in the classical traditions of European art, they remain unstretched when exhibited, usually pinned to the wall as is sacred ground beating heart (illustrated). One of Watson’s bronze sculptures — tow row (illustrated)…

Arthur Boyd, Australia 1920-1999 / The lady and the unicorn (portfolio) 1975

The Lady and the Unicorn, a story of love and betrayal

The series The Lady and the Unicorn 1975 (illustrated) are powerful and dreamlike etchings by Arthur Boyd (1920–99) which reveal his mastery of the medium couched in a story of love and betrayal. Boyd is celebrated for his paintings, but he is also recognised as a significant and innovative printmaker. Some of his best series…

Namatjira story

Albert Namatjira (28 July 1902 – 8 August 1959) was a Western Arrernte-speaking Aboriginal artist from the MacDonnell Ranges, west of Alice Springs in Central Australia. His Western-style landscapes, different from traditional Aboriginal art, made him a celebrated pioneer of contemporary Indigenous Australian art in the 1950s and the most famous Indigenous Australian of his generation.…

Church interior: An uplifting vision of everyday life

Church interior c.1941-42 (illustrated) is one of Grace Cossington Smith’s most significant achievements, incorporating her major stylistic approaches and interests. It is also meaningful in terms of the artist’s personal history, as it depicts the Smith family’s place of worship, the new St James’ Anglican Church in Turramurra, Sydney, built in 1941. The painting encapsulates…