Charles Blackman, Australia b.1928, Barnes Auto Brisbane 1952

Charles Blackman’s connection to Brisbane

After resigning from journalism cadetship at the Sydney Sun, Charles Blackman (12 August 1928-2018) hitchhiked to Brisbane in early 1948 for his first visit. He met the young artists of the Miya Studio, including Laurence Hope, Don Savage, and Laurence Collinson, and the closely affiliated group of Barjai writers, including Barrett Reid, and, most significantly,…

Charles Blackman’s ‘The Blue Alice’

In 1956, Barbara Blackman brought home a talking book machine and one of the first books the Blackmans ‘read’ was Lewis Carroll’s Alice’s Adventures in Wonderland. This was Charles Blackman’s first encounter with the story and, importantly, it lacked any illustrations to impose on his imagination. Barbara came to stand for Alice herself. Her struggle…

Early prints by Pablo Picasso

Announcing the acquisition of five extraordinary early prints by Pablo Picasso (1881–1973), Director Chris Saines CNZM noted the economy, sensitivity and brilliance with which their human subjects were captured. He also recognised the generous support for the acquisition from the Margaret Olley Art Trust, the Henry and Amanda Bartlett Trust and the Airey Family through…

Rare prints by Pablo Picasso

The Gallery has acquired five rare prints by Pablo Picasso (1881-1973). The five new works are from a group of 15 etchings and drypoints known as ‘La Suite des Saltimbanques’ and were created on the cusp between the artist’s ‘blue’ (1901–04) and ‘rose’ (1904–06) periods. The new prints are integrally connected to Picasso’s paintings and…

Watch as we clean Anthony Alder’s ‘Heron’s home’

Watch our time-lapse as Anthony Alder’s original colours are restored in Heron’s home 1895 showing the full tonal range and sharpness of colour. A final varnish layer on a finished painting has been an artistic practice for centuries. Artists often apply a transparent varnish to give saturation and their desired level of gloss to the painting,…

Chakraman

Untitled (Chakraman) is a rare example of Nepalese painting. Visually striking in its scale and colour, and rich with iconography, it illustrates concepts connected to Buddhism, Hinduism, tantric principles and yoga, while depicting a great number of deities and incarnations. The central figure is a yogi (male yoga practitioner) showing the inner structure of the body that presents…