Judy Watson introduces ‘tow row’

Judy Watson’s work is deeply connected to concealed histories, the significance of objects and the power of memory and loss. In tow row, Watson has responded to a site close to the Brisbane River by referencing woven nets used by Aboriginal people of the area, acknowledging the traditional owners of the site and their everyday fishing activities…

Judy Watson to create public artwork for GOMA entry

This morning, it was my pleasure to be joined at the Galley of Modern Art (GOMA) by Leeanne Enoch, Queensland’s Minister for Innovation, Science and the Digital Economy and Minister for Small Business, for the announcement that Queensland artist Judy Watson has been selected to realise a major public artwork at the building’s entrance. The…

Scott Redford celebrates Gold Coast-type signage

Scott Redford’s ‘Proposals’ series of sculptures, such as Proposal for a Surfers Paradise Public Sculpture/GC Cinemas 2006  (illustrated) examine and celebrate the Gold Coast as a remarkable phenomenon in late modern architecture and design in Queensland. What others stigmatise as kitsch, Redford sees as embodying a complex history and identity — perhaps the Gold Coast…

Edgar Degas captures the character of the modern age

Two lithographs after Edgar Degas (1834–1917) introduce two themes of interest to the great French impressionist. Images of horse racing were a primary focus for Edgar Degas throughout his career. The spectacle of the race itself was a relatively modern phenomenon in France in the mid to late 1800s. The Hippodrome de Longchamp in the…

Remembering Captain Hugh Knyvett

Hugh Knyvett Hugh Knyvett was born in South Brisbane, Queensland on 15 September 1886. Shortly before World War One commenced he was a Home Missionary for the Presbyterian Church at Longreach. Enlisting as a private, he was an Intelligence Officer for the RAAF’s No.1 Squadron and the 15th Australian Infantry Battalion. Knyvett trained in Egypt,…

Huang Yong Ping ‘Ressort’: A gigantic snake skeleton

The Gallery commissioned and acquired one of the signature works of The 7th Asia Pacific Triennial of Contemporary Art (APT7), Ressort 2012, a sculpture by the Chinese–French artist Huang Yong Ping. The gigantic aluminium snake skeleton that spirals 53 metres across the Watermall, Ressort 2012 was a fitting centrepiece for APT7. This is not only…