The creation of black somo

A curator with a deep belief in the ability of art to transform, Jennifer Phipps envisaged a fund that would enable women artists working in the Pacific to engage in projects and learning opportunities, and ensured its existence with a significant bequest. Oceania Women’s Fund Visitors to the Queensland Art Gallery’s first exhibition profiling contemporary…

Gideon Kakabin with commissioned Loloi of Tutana’s for APT9, 19 July 2018

Vale: Gideon Kakabin

We are deeply saddened at the passing of beloved artist, historian and elder of Gunantuna (Tolai peoples) Gideon Kakabin (1956 – 20 August 2018) at 62. Known to many in Australia through his passions for culture and history, Gideon began his career as one of Papua New Guinea’s leading software programmers. His story is included…

A meeting of minds: Kumantje Jagamara and Imants Tillers

Metafisica Australe 2017 (illustrated) is a rich, contemporary symbiosis of the personal, professional and cultural reflections of two great Australian artists. Metafisica Australe is a significant 72-panel painting that is the latest artwork resulting from the collaborative efforts of Kumantje (Michael Nelson) Jagamara AM and Imants Tillers. Simon Wright was present when this important working…

The Coming of the Light

The Coming of the Light is a significant work by Gordon Bennett (1955–2014), one of Australia’s most influential contemporary artists. Bennett addresses Australian history as it has come to be represented and asks how it might accommodate new voices. The writing is on the wall, portent is thick in the air. In a corner, the surface…

New interlocutor program for APT9

For ‘The 9th Asia Pacific Triennial of Contemporary Art’ (APT9), QAGOMA Asia Pacific research arm the Australian Centre of Asia Pacific Art (ACAPA) has convened a group of ten highly respected artists, curators, critics and researchers to act as interlocutors, participating in discussions, lending expertise and testing issues in the development of the APT program.…

Helen Johnson, Australia b.1979 / Women’s work (1902) 2017 and Women’s work (1912) 2017

The power of a Collective and the power of a vote

Future Collective member Belinda Elderton reports on the art, the tough decisions, and the collective camaraderie of the group’s recent project pitch event At a time when the marriage equality survey is causing the Australian people to question the value of their vote, the QAGOMA Future Collective members demonstrated the uplifting power of democracy at our annual…