Ai Weiwei’s chandelier & other errant objects

Boomerang 2006 was originally the centrepiece of Ai Weiwei’s participation in ‘The 5th Asia Pacific Triennial of Contemporary Art’ (APT5). An extravagant, tiered, waterfall-style chandelier shaped after the titular throwing tool, with a span of more than eight metres and a drop of seven, it had an imposing presence as it hung above the water…

Canine Construction

South Korean artist Gimhongsok’s Canine Construction 2009 brings me a lot of joy. This is one of Gimhongsok’s proposals for public monuments, recognising that no-one ever seems to agree on public art. It’s cast from resin but looks like it’s made out of garbage bags. Sure, there’s an art world in-joke here, looking like a…

Commissioning ‘Heritage’: An installation by Cai Guo-Qiang

Over a period of six years from 2008, QAGOMA and New York-based Chinese artist Cai Guo- Qiang developed and realised the spectacular and meditative art installation Heritage 2013 — a beautiful, thought-provoking vision of our relationship with the earth and with each other. A highly collaborative undertaking, the artwork comprises 99 life-sized imitation animals from…

Ah Xian: Accomplished artist & generous donor

Australian artist Ah Xian has been awarded the 2019 Queensland Art Gallery | Gallery of Modern Art Medal in recognition of his enduring and impassioned contribution to the Gallery. We honour and celebrate the highly acclaimed artist and benefactor for his outstanding contribution to the QAGOMA Collection. His sustained and exceptional patronage places him among…

Island fashion: Wearable art

As a descendant of the Meriam Mer people of the eastern islands of the Torres Strait, artist Grace Lillian Lee applies and adapts traditional craft techniques in her contemporary fashion design using pre-dyed cotton webbing in a multitude of colours. Lee’s woven necklaces and body sculptures are a modern interpretation of a technique she learnt…

A moment in Japanese history

Photography from the beginning of the Meiji era (1868-1912) captures a moment in Japanese history when influences and technologies were beginning to interact with traditional life, and the nation was on the verge of social transformation that would signal the end of the ‘floating world’ culture of centuries past. ARTWORK STORIES: Delve into QAGOMA’s Collection…