Vida Lahey: Known for her distinctive flower studies

Of all the works by (Frances) Vida Lahey (1882-1968), she is best known for her depiction of the weekly wash-day, Monday morning 1912 (illustrated). Known as a painter of oils on a wide range of subjects, she was also recognised throughout her career as a watercolourist of distinction for floral still lifes, therefore we have…

William Yang: Seeing and Being Seen

‘William Yang: Seeing and Being Seen’ spans Queensland-born photographer and performance artist William Yang’s five-decade career and is the first major survey of his work to be presented by an Australian state gallery. ‘Seeing and Being Seen’ refers to the artist’s view of the world through the camera lens. Yang captures people across all walks…

William Yang: Personal stories

Known for his reflective and joyous depictions of Australia’s LGBTIQ+ scene in the late 1970s and 80s through to the present, Queensland-born, Sydney-based artist William Yang’s work is the subject of a major survey exhibition ‘Seeing and Being Seen’. This exhibition traces Yang’s career from documentary photography through to explorations of cultural and sexual identities…

JA Clarke’s grand picture of Brisbane

Public collections in Queensland have few outstanding examples of the work of our early artists. Of the major works dating from the 19th century, the Panorama of Brisbane 1880 by JA (Joseph Augustine) Clarke (1840–90), Queensland‘s first professional artist and art teacher, is undoubtedly the best known and most significant.1 Visit the nearly 4–metre–long panorama…

Naomi Hobson: Distinctive ceramics

Distinctive ceramic works by Naomi Hobson mark not only a new direction in her art practice, but also a celebration of Indigenous culture and people coming together over great distances. Naomi Hobson is one of a new generation of contemporary Indigenous artists who is already making her mark nationally. Hobson is from the Kaantju/Umpila language…

The Gordon Bennett Studio: Samford Valley

‘Unfinished Business: The Art of Gordon Bennett’ presents the work of an artist deeply engaged with questions of identity, perception and the construction of history. Simon Wright, a long-time friend of the artist, recalls the man in the studio in our two part series, continuing with his purpose-built Samford Valley studio. DELVE DEEPER: Read about…