Pannaphan Yodmanee’s ‘In the Aftermath’ is a complex, immersive installation

 

From the age of ten, Thai artist Pannaphan Yodmanee was taught traditional Buddhist painting techniques by a monk at her local temple, and while she draws on this depth of knowledge, she moves beyond traditional conventions to connect the symbolic, the spiritual and the secular in exciting and experiential new ways. Through years of refining traditional painting practices, Yodmanee has formed a deep understanding of philosophies and cosmologies inherent in Thai Buddhist art, which she now transforms into densely layered installations.

Yodmanee’s In the Aftermath, currently on display at the Gallery of Modern Art (GOMA), is the focus of the QAGOMA Foundation’s 2019 annual artwork appeal. This complex, immersive installation, presents delicately painted stories in vivid temperas, gold pigments and mineral paints on the uneven surfaces of a constructed ruin.

Watch our installation time-lapse

Pannaphan Yodmanee, Thailand b.1988 / In the aftermath 2018 / Found objects, artist-made icons, plaster, resin, concrete, steel, pigment / Site-specific installation, Gallery of Modern Art (GOMA) / Commissioned for ‘The 9th Asia Pacific Triennial of Contemporary Art’ (APT9) / © Pannaphan Yodmanee / Courtesy: The artist and Yavuz Gallery, Singapore

In the aftermath

In the aftermath resembles both the decaying murals in the ruins of old temples and the rubble of demolished buildings. The installation commissioned for ‘The 9th Asia Pacific Triennial of Contemporary Art’ (APT9) is based around three key elements: rocks and stones from the artist’s hometown representing the natural world; found objects and fragments of buildings; and miniatures of Buddhist icons and sacred stupas, which have been created by the artist in a range of materials.

The environment is constructed using slabs of concrete, exposed iron structures and walls primed with concrete and rocks, into which Yodmanee places objects and delicately paints conquests and battles, as well as journeys across land and sea, applied with gold leaf and using the vivid blues of Buddhist painting.

The architectural setting chronicles the formation of individual and regional identities, and explores South-East Asian histories of migration, conflict and loss, as well as destructive human tendencies. In doing so, Yodmanee’s works have developed a new platform for Buddhist art, while they simultaneously capture the interconnectedness of art, religion and history in contemporary Thai society.

Details of Pannaphan Yodmanee’s In the aftermath 2018 site-specific installation at the Gallery of Modern Art (GOMA) / Photographs: Natasha Harth © QAGOMA

QAGOMA Foundation

The Foundation, the Gallery’s vital fundraising body was established in 1979 and has raised more than $140 million, with generous support enabling the acquisition of more than 8,300 artworks, over 45 per cent of the State’s Collection.

The Foundation’s 40th anniversary and 2019 artwork appeal for In the aftermath 2018 is an opportunity to reflect on the generosity of the Gallery’s many supporters who have contributed over the past four decades. Find out more about the QAGOMA Foundation and the 2019 Foundation Appeal.

With your support, the 2019 QAGOMA Foundation Appeal will bring this significant work into the Collection. It will be a remarkable APT9 acquisition and addition to QAGOMA’s renowned collection of contemporary Asian and Pacific works, by one of the region’s rising stars.

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APT9 publication

Feature image detail: Pannaphan Yodmanee’s In the aftermath 2018

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